(USED) ART DR-X 2100 Studio Edition - Multi Effect / Pitch Transposer

66,35 EUR


Model/Product no.: 15684
Weight: 2 kg
Stock status: In stock

This is a used product.

Vintage Multi-effect machine 1994.

Fully tested in great working and cosmetic condition. How many effects at once? Ten! That's right, up to ten effects at once - perfect if you can even think of ten effects you want to use at the same time. Anyway, if "how many simultaneous effects" is your first question about a multi-effects processor, the DR-X has a big answer and a lot of extras to go with it. The DR-X boasts over sixty different effects to choose from. What this boils down to is twenty-six primary algorithms. Some of these algorithms have more than one effect available. For example, the Expander/Gate algorithm counts as one algorithm, but it actually has three effects, an expander, a noise gate and a filter envelope. Other algorithms, such as the Reverb 1 algorithm, count as one primary algorithm but have their own additional secondary algorithms. In the case of the Reverb 1 algorithm, the secondary algorithms are Hall-1, Room-1, Plate-1 and Vocal-1. Stay with us now. Of the 26 primary algorithms, six are primary reverb algorithms, each with four secondary algorithms that provide options for reverb "types". This gives us a total of twenty-four different reverb effects. Eight more of the primary algorithms are delay algorithms. Again, some of the delay algorithms have their own secondary algorithms that offer different "types" of delay. When you look at the number of different delay effects you can have, the number is well over twenty. Together, reverb and delay effects make up almost fifty of the sixty effects available on DR-X. The primary delay and reverb algorithms use 14 of the 26 primary algorithms. So when you hear about a processor with over 5000 effects, keep in mind that it may have some 4950 delay and reverb programs. That being said, let's go on to say that these numerous delay and reverb effects are not to be taken lightly. The 16-bit, full-bandwidth reverb programs are clean and versatile. Reverse reverbs are available, as are gated reverbs. The delay programs are equally clean and versatile. As you know, the amount of memory inside any digital processor will dictate the maximum amount of delay time available. In DR-X, a maximum of two seconds of delay is possible. A great addition to the delay algorithms that you don't see on many processors is Tapped Delay. Up to seven taps are available with a total delay time of 1.8 seconds. Used in stereo mode, the Tapped Delay algorithm can provide up to 14 repetitions of an input signal, each jumping back and forth between the left and right channels.


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