1. Bridge – humbucker (noise-canceling)
This position has the most edge and bite. It is heavily wound to deliver a big, powerful tone without becoming too dark—perfect for pushing an amp into singing overdrive. Ideal for solos or prominent rhythm parts. The HB-2+ humbucker provides a rich, full-bodied sound that works across all genres.
2. Bridge (coil split)
Pulling up on the bridge volume knob splits the coils of the bridge pickup, producing a brighter, more single-coil-like tone. Great when extra clarity is needed. Even in split mode, the pickup retains body and does not sound thin.
3. Bridge (coil split) + Neck
This combination delivers an almost acoustic-like full-range tone, with added compression and a slight twang from the split bridge pickup.
4. Bridge + Neck – humbucker (noise-canceling)
Here, both humbuckers are combined, producing thick, creamy mids, strong low end, and clear treble. A highly versatile all-round tone.
5. Bridge (coil split) + Neck (coil split) – humbucker (noise-canceling)
A funk-friendly setting with strong lows and a more hollow-sounding top end. It also has a subtle “quack” character often associated with out-of-phase pickup tones.
6. Bridge + Neck (coil split)
A strong all-purpose tone, similar to combining bridge and neck, but with slightly reduced midrange emphasis. The result is a warm, full sound with bell-like highs.
7. Neck (coil split)
Pulling up on the neck volume knob splits the neck pickup. This adds extra snap and definition to the otherwise smooth and creamy neck tone, making it suitable for both leads and rhythm parts without getting muddy.
8. Neck – humbucker (noise-canceling)
A warm and rounded tone, ideal for everything from singing lead lines to clean rhythm playing.